OM SYSTEM OM-1 with 12-40 F2.8 PRO II Kit

Brand: OM System
Model: OM-1_1240-2P
MD SKU: A0605A0227G34
Availability: In Stock
Option SKU:

$3,996.01
Ex Tax: $3,666.06

Quantity

Features
Specifications

High image quality that goes beyond expectations of the sensor size

The new 20M Stacked BSI Live MOS sensor and new TruePic X engine make the most of high-resolution M.Zuiko Digital lens performance, delivering stunning detail and low noise.
The OM SYSTEM OM-1 exceeds the level of image quality that the sensor size would imply, delivering results approaching those of a full-frame camera.
It is the optimal camera, offering both System portability and high image quality.

Product Type	Micro Four Thirds interchangeable lens system camera
Memory	[Slot 1] SD, SDHC (UHS-I / II), SDXC(UHS-I / II)
Memory	[Slot 2] SD, SDHC (UHS-I / II), SDXC(UHS-I / II)
Sensor size	17.4 mm x 13.0 mm (Micro Four Thirds)
Lens mount	Micro Four Thirds Mount

Image Sensor

Image sensor type	4/3 Stacked BSI Live MOS Sensor
Number of pixels	Number of effective pixels: Approx. 20.4 million pixels Total number of pixels: Approx. 22.9 million pixels
Aspect ratio	4:3
Dust reduction	Supersonic Wave Filter (image sensor dust reduction system)

Still Photo Recording

Recording format	DCF2.0, Exif2.31
File format	JPEG, RAW(12-bit lossless compression), JPEG+RAW
Recording image size	RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768
Dual Slot Settings	Standard, Auto Switch, Dual Independent, Dual Same
Folder creation and selection	Available

Image Stabilisation System

Image stabilisation type	Built-in 5-axis sensor-shift image stabilisation
Image stabilisation mode	S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF
Stabilisation performance	Compensation steps (Body only): 7.0 When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm)
Stabilisation performance	Compensation steps (Sync IS): 8.0 When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High
5-axis Sync IS	Available When using the M.Zuiko Digital lenses equipped with image stabilisation
Focal length setting	11 settings: 10 programmable settings (10 lenses) Lenses without communication function can be registered

Finder

Finder type	Eye-level OLED electronic viewfinder, approx. 5.76M dots
Field of view / Viewfinder magnification	Approx. 100% / Approx. 1.48x^[1] ~ 1.65x^[2] (-1m^-1, 50mm lens, Infinity) 1: Finder Style 1, 2 (aspect ratio 4:3) 2: Finder Style 3 (aspect ratio 4:3)
Eye point / Diopter adjustment range	Approx. 21mm (-1m^-1, Distance from rear lens surface) / -4 ~ +2m^-1
Display Grid	Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid grid colour is selectable
Level Gauge	2-axis (horizontal/vertical) level gauge
Finder Style	3 styles
Brightness and Colour Temperature Control	Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control both GM and BA
S-OVF (Simulated OVF)	Available
Eyecup	EP-18 (bundled)

Monitor

Monitor type	3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.62M dots (3:2),
Touch control	Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Super Control Panel, Wi-Fi connection, Movie controls
Tilting capability	Swivel type
Brightness / Colour temperature control	±7 levels / GM ±7 levels, BA ±7 levels

Focusing

AF system	High-speed imager AF Imager phase detection AF and imager contrast AF used in combination
AF working range	Lowest luminance (-5.5 EV) / Highest luminance (19 EV) ISO approx. 100, with F2.8 lens
Focusing point / Focusing point selection mode	Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target^* (AF area and its increment steps selectable) Number of saved custom target settings: 4
Focus mode	Single AF (S-AF), Single AF (S-AF+MF), Continuous AF (C-AF), Continuous AF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF (S-AF+MF)
C-AF tracking sensitivity settings	5 steps
C-AF Center Priority	Available
AF limiter	Available Up to 3 distance settings can be saved
AF targeting pad	Available
Magnified frame AF	3x, 5x, 7x, 10x, 14x
Face detection AF / Eye detection AF	Available
AI detection AF	Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats
Magnify MF	Available
Peaking function	Available
AF Focus Adj.	Available
AF illuminator	Available
Focus indicator	Available

Exposure Control (Still)

Metering system (TTL Image sensor metering)	Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering^, Spot metering with highlight/shadow control^ Also available AF target spot metering
Metering range	Lowest luminance (-2 EV) / Highest luminance (20 EV) ISO approx. 100, with F2.8 lens
ISO sensitivity (AUTO)	LOW (approx.80) ~ 102400 Upper default ISO 25600
ISO sensitivity (MANUAL)	LOW (approx.80, approx.100), 200 ~ 102400
Exposure compensation	±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) Live View only reflects up to ±3 EV steps
AE lock	Available Locks with a half-press of the shutter button (can be set to other buttons)
Anti-Flicker Shooting	Available

Shutter

Focal-plane shutter (mechanical shutter)	1/8000 ~ 60 sec, Live Bulb, LiveTime, Live Composite
Electronic first curtain shutter	1/320 ~ 60 sec Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter.
Electronic shutter (Silent mode)	1/32000 ~ 60 sec Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three
Flicker Scan	Video recording 1/30.0 ~ 1/500.0 Still 1/50.0 ~ 1/6944 Video recording S/M mode, Still S/M silent mode only

Drive

Sequential shooting maximum speed	[Sequential shooting] approx 10 fps with selectable 1-10 fps
	[Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps
	[Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps with blackout
	[High-speed sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout Slower shutter speeds and flash can not be used. Focus and exposure are fixed at first frame.
	[High-speed sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout Slower shutter speeds and flash can not be used. Compatible lenses are limited.
	[Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps Slower shutter speeds and flash can not be used.
	[Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps Slower shutter speeds and flash can not be used. Focus and exposure are fixed at first frame.
	[Pro Capture SH2] approx 50 fps with selectable 25, 50 fps Slower shutter speeds and flash can not be used. Compatible lenses are limited.
Compatible lens to SH2 50 fps	M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Ⅱ M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 150-400mm F4.5 TC 1.25x IS PRO M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO
Sequential shooting maximum recordable frames When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II and the KIOXIA KSDXU-A064G memory card with standard card setting in slot 1. Low ISO processing: Priority is given to sequential shooting	Sequential shooting 10 fps [RAW]: Approx. 280
	Sequential shooting 10 fps [JPEG LF]: Approx. Until card is full
	Silent sequential shooting 20 fps [RAW]: Approx. 143
	Silent sequential shooting 20 fps [JPEG LF]: Approx. 220
	High-speed sequential shooting SH1 120 fps [RAW]: Approx. 92
	High-speed sequential shooting SH1 120 fps [JPEG LF]: Approx. 94
	High-speed sequential shooting SH2 50 fps [RAW]: Approx. 102
	High-speed sequential shooting SH2 50 fps [JPEG LF]: Approx. 117

Flash

Flash intensity control method	TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) Auto and Super FP are available on the external flash
Flash mode	Fill-in, Flash Off, Slow sync., Manual^* (1/1 (FULL) ~ 1/64) manual is available only with FL-LM3
Red-eye sync	Available
Synchronisation timing	1st curtain, 2nd curtain selectable
Synchronisation speed	1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing
Flash intensity control	±3 EV (1/3, 1/2, 1 EV steps selectable)
Compatible external flash	FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR

Wireless Flash Control

OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash	FL-600R, FL-900R, FL-700WR
Commander flashes	FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR
Radio wireless control	Available
External Flash intensity type	TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL
Channel	4 channels
Group No.	3 groups (External flash 2 groups + commander flash)

White Balance

White balance mode	Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting)
White balance compensation	±7 steps along A-B / G-M axis Including Custom WB

Colour Mode

Colour matrix	sRGB, Adobe RGB

Picture Mode

Picture Mode	i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Colour Creator, Art Filters
Gradation	4 types (Auto, Normal, High Key, Low Key) Except when using Underwater, Art Filters, Colour Creator
Hilight and shadow control	Available

Art Filter

Art Filter	Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Colour, Vintage, Partial Colour (18 colour selectable), Bleach Bypass, Instant Film

Bracketing

Exposure bracketing	3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable)
ISO bracketing	3 frames (0.3/0.7/1.0EV steps selectable)
White balance bracketing	3 frames (A-B/G-M axis^*) Selectable in 2, 4, 6 steps each
Flash bracketing	3 frames (0.3/0.7/1.0EV steps selectable)
Art Filter bracketing	i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator, Underwater selectable
Focus bracketing	3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable)
Focus stacking	Available
Focus stacking compatible lens	M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20

HDR Function

HDR (Auto composite)	HDR1, HDR2 (painting-like) ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
Bracketing for HDR postprocess	3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps)

Keystone Compensation

Keystone Compensation	Available

Fisheye Compensation

Fisheye Compensation	3 Styles Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used.

Live ND

Live ND	Available S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised.

High Res Shot

Tripod High Res Shot	JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776
Handheld High Res Shot	JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120

Live Bulb / Live Time

Live Bulb / Live Time	Available Update interval time 0.5 sec. ~ 60 sec.

Live Composite

Live Composite	Available Update interval time 0.5 sec. ~ 60 sec.

Interval Mode

Interval Mode	Available Creating Time-lapse movie is possible with interval shooting up to 999 frames. Time priority, Frame priority selectable Exposure smoothing is available

Multi Exposure

Multi Exposure	2 frames

Multi Aspect

Multi Aspect	4:3(Default), 3:2, 16:9, 1:1, 3:4

One Push Tele-converter

Magnification	2x

Level Gauge

Detection	2-axis (horizontal / vertical)

Video Recording

Video recording format	MOV(MPEG-4AVC/H.264)
4096 x 2160 (C4K)	30p、25p、24p / LongGOP（Approx. 102Mbps） 60p、50p / LongGOP（Approx. 202Mbps）
3840 x 2160 (4K)	30p、25p、24p / LongGOP（Approx. 102Mbps） 60p、50p / LongGOP（Approx. 202Mbps）
1920 x 1080 (FHD)	30p、25p、24p / ALL-I（Approx. 202Mbps）、LongGOP（Approx. 27Mbps） 60p、50p / LongGOP（Approx. 52Mbps）
Video recording format	MOV (HEVC/H.265)
4096 x 2160 (C4K)	30p、25p、24p / LongGOP（Approx. 77Mbps） 60p、50p / LongGOP（Approx. 152Mbps）
3840 x 2160 (4K)	30p、25p、24p / LongGOP（Approx. 77Mbps） 60p、50p / LongGOP（Approx. 152Mbps）
1920 x 1080 (FHD)	30p、25p、24p / ALL-I（Approx. 82Mbps）、LongGOP（Approx. 22Mbps） 60p、50p / ALL-I（Approx. 162Mbps）、LongGOP（Approx. 42Mbps）
Art Filter Movie	Available Frame rates may drop when certain Art Filters are used.
One-push Movie Digital Converter	Approx. 1.4x
Time Lapse Movie	3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps
Quick Movie / Slow Movie	Available
High speed movie	240,200,120,100fps（1920×1080 / MPEG-4 AVC/H.264）
High speed movie	200,120,100fps（1920 x 1080 / HEVC/H.265）
Image Stabilisation for video recording	M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF Field of view varies when using M-IS1. Using lens which is equipped with image stabilisation can be given top priority.
Grid Line	Available
Focus Peaking	4 colours
Zebra Pattern	Available 2 levels selectable to set
Center Marker	Available
Time code	Rec run / free run, drop frame / non-drop frame
Live View Output via HDMI	Monitor mode / Record mode / RAW mode In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded.
Movie Picture Mode	Flat, OM-Log400, HLG
AE Lock	Available

Recording(Sound)

Sound recording format	Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)

OM SYSTEM OM-1 Body